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Healing Spaces with Kari logo

the film, before it’s a film

What to expect: the movie storyboard

About two minutes, eleven scenes, no filming needed from anyone. The film now follows the same order a new client experiences things: reaching out, meeting first, then the work itself. The two scenes marked “new” cover getting started (the first message, the free initial consultation, and the “yes” that books us in); everything else you’ve seen before, just regrouped. The words are lifted from the what-to-expect page you approved, and every picture is a drawn scene, no real people, no real homes. Read it top to bottom and you’ve watched the film in your head. Tell us which pictures feel right, which don’t, and anything you’d change.

Cards marked “optional” only appear if the pacing allows; the film works without them. The two new scenes now have their pictures drawn in, first drafts: tell us if they feel right and we’ll polish or redraw.

Chapter one · reaching out

scene 1 · 0:00–0:08

Open, warm

It can be a big step, letting someone into your home. So here’s what to expect.

Front door opening to warm light; Healing Spaces logo in the corner. The title words sit over this still.

and here it is moving: the first ten seconds, made from that picture. Press play.
the opening frame
the opening frame
scene 2 · 0:08–0:16 new

It starts with a message

It usually starts with a message: a text, an email or a call, whatever feels easiest. Ask anything, take your time. No pressure, and nothing to prepare.

A phone resting on a kitchen table next to a cup of tea, a short message half-written, warm light. Drawn like everything else, no real app on the screen.

and moving: the quiet table where it all starts, ten seconds. Press play.
a message half-written, no hurry
a message half-written, no hurry
scene 3 · 0:16–0:28

The person who turns up

Decluttering, organising and cleaning are part of it, but the heart is support from someone who’s been there. Kari has lived the other side of this work: a home she wouldn’t have let anyone see. Not an expert arriving to fix you, someone who gets it, working beside you.

Kettle on, two mugs. Calm, domestic, human. Then your two-teas picture.

this one moves too: the kettle steaming, ten seconds. Press play.
kettle on, two mugs
kettle on, two mugs
your picture, in: two teas at the kitchen table
your picture, in: two teas at the kitchen table

“And when it helps, Kari’s honest about her own journey. Not just ‘I have been there’; sometimes it’s ‘I’m here right now’.”

optional optional card: words only, over a soft wash

Chapter two · meeting first

scene 4 · 0:28–0:38 new

The free initial consultation, and your “yes”

If you’d like to go ahead, the next step is usually a free initial consultation: we come to you, look together, and talk through what would help. It can happen online if that’s easier. Then, when you’re ready, we email you our terms. Reply “yes” and we’re booked.

Two caption cards of five seconds each. Card one: a welcome at the door, backs or side views only. Card two: the little journey drawn as four warm steps, below.

a message a cuppa together your “yes” we begin
the little journey, drawn as four warm steps (watercolour icons, not a corporate chart)
the welcome, moving: a hello at the door, tea in hand. Press play.
a welcome at the door
a welcome at the door
the little journey: a message, a cuppa, your “yes”, we begin
the little journey: a message, a cuppa, your “yes”, we begin
scene 5 · 0:38–0:48

Don’t tidy up first

Please don’t tidy up before we come. We mean it. There is no state of a home that shocks us. Seeing your home as it really is helps us help you.

A very full room drawn with warmth and dignity: light through the curtains, flowers on the mantelpiece, no gloom. Sits here because the advice matters before that first visit.

the full room, moving: dust in the light, nothing to be ashamed of. Press play.
a full home, kindly drawn
a full home, kindly drawn
optional card, your words: “the worse it is, the more I like it”
optional optional card, your words: “the worse it is, the more I like it”

Chapter three · the work itself

scene 6 · 0:48–0:58

The honest answer to “how long?”

How long will it take? Honestly: homes can take years to fill, and sorting can take more than a visit or two. Clutter is a pile of hidden decisions, and finding out what’s really in it is the work itself. So any time guess we give is there to help you plan, please hold it loosely. If you’d like certainty, give us a budget and we’ll do our best to make the most of the time inside it.

The words run as two cards of five seconds each. A stack of closed boxes, the top one open, everyday treasures spilling out: this is what “hidden decisions” looks like, and why time guesses are held loosely.

every box is a pile of decisions
every box is a pile of decisions
scene 7 · 0:58–1:08

One area at a time

Trying to tackle too much at once is a common recipe for failure: hours of effort with no real sense of progress. So we usually ask which room, and which spot in it, would bring most relief, and we’ll start there. A small, visible win feeds motivation, and can bring a surprising amount of relief, satisfaction and hope.

One shelf being arranged while the rest of the room stays soft; then the calm corner it earns.

one shelf, moving: the little pot set gently in place. Press play.
one shelf, being arranged
one shelf, being arranged
the spot that brings most relief
the spot that brings most relief
scene 8 · 1:08–1:20

The messy middle, owned proudly

Fair warning: halfway through, a room can look worse than when we started. Sorting means taking things out before they go back in. That’s not mess; it’s normal progress. And if a room isn’t finished at the end of a session, we aim to leave everything as safe and tidy as possible.

The centrepiece animation: the kitchen empties into labelled groups, then flows back in sorted. These two stills are its first and last frame.

the centrepiece, moving: everything out, then gently back in sorted. Press play.
everything out (the animation starts here)
everything out (the animation starts here)
flowing back in (and ends here)
flowing back in (and ends here)
already on the site: the three-stages drawing the animation echoes
optional already on the site: the three-stages drawing the animation echoes
safe and tidy at day’s end
optional safe and tidy at day’s end
scene 9 · 1:20–1:32

Faster, and the maximum honest speed

Can we go faster? Often, yes: more hours, or more of us. The trade-off: bigger, broader decisions, less fine care, and a higher cost. But organising has a maximum honest speed. Past it, things just get moved around, and that usually means more work later, not less.

The speed chart from the what-to-expect page, drawn on slowly; hold on the below-the-line dip for the last three seconds.

the sweet spot truly sorted: done means done just moving the mess: more work later this line: how things stood when we arrived past here the pile grows: more to sort than before we came how fast we go what a session truly achieves
the chart from the live page, reused as-is
optional intro beat: more hands
optional optional intro beat: more hands
scene 10 · 1:32–1:46

Your things, your say

They’re your things, and only you know what they mean. Anything we’re unsure about goes into clearly marked sorting boxes for you to decide in your own time, or you can decide alongside us as we work. How much we talk during a session is up to you. And most important of all: you can’t offend us. If something feels even slightly wrong, please tell us immediately.

A keepsake laid into tissue like treasure; then “over there instead” and a thumbs up.

treated like treasure, moving: tissue paper, steam off the mug. Press play.
and “over there instead”, moving: a point, a warm nod, all fine — livelier now, and no thumbs up. Press play.
treated like treasure
treated like treasure
“over there instead”, and that’s fine — same two people as the welcome scene
“over there instead”, and that’s fine — same two people as the welcome scene
optional card: the photos answer, already on the site
optional optional card: the photos answer, already on the site

Chapter four · after

scene 11 · 1:46–1:58

Close on hope

However your home got to where it is, it got there for a reason, and it can change.

The settled room (a different home from the don’t-tidy scene, on purpose). Then the final card over a soft wash: logo, the line below, the website.

settled and calm, moving: the room at rest. Press play.
settled, calm, quietly proud
settled, calm, quietly proud
A soft wash of cream and rose watercolour

You deserve a clean and calm home.

healing-spaces-kari.co.uk

the very last card

And one question for you

The film works with captions and gentle music alone, so this is entirely optional: would you fancy reading the words yourself? It’s about two minutes, read once into your phone, no filming, and we’d use the recording as it is. If not, the captions carry it and nothing is missing.